These two paintings were generated during a sunday workshop with Lydia Leydolf. The speciality of Lydia is to paint on very thin paper. The paper, an 100gr Ingres half sheet, is glued to a board with a thinned adhesive. After a short drying time one can work very wet with watercolor on this surface. If the painting is done and dried over night, it should realy be dry, you can tear off the paper from the board by loosening the edges. The painting then is glued to a white sheet of paper board for support. The still life is watercolor (mainly ultra marine) and burned sienna ink, which was poured into the very wet color. The second painting is just pouring color and „moorlauge“ on very wet paper. After everything was dry, the roofs and housed were washed out.
Both paintings are of size 48x32cm.
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